Details Hooker’s old Live at Sugar Hill and Boogie Chillun albums, both documents of November 1962 solo performances, are back-to-back with only one track missing. His music is defiantly elemental-mood, tempo, chord sequences (almost none), and jagged rhythms vary little. Due to his individual touch and naked feeling, all nineteen selections escape tediousness and preserve the rural blues’ aura of …
Details A 1959 recording that was inexplicably not issued in the United States until 1992, Burning Hell ranks among John Lee Hooker’s most edgy and focused performances. A companion piece to The Country Blues of John Lee Hooker, it finds Hooker singing country-blues, accompanied only by his own acoustic guitar — something he rarely did after traveling north from the …
Details Although Orrin Keepnews’ Riverside Records was primarily a jazz label, the company dabbled in blues in the 1960s — and one of the bluesmen who recorded for Riverside was John Lee Hooker. Recorded in 1960, this Keepnews-produced session came at a time when Hooker was signed to Vee-Jay. The last thing Keepnews wanted to do was emulate Hooker’s electric-oriented, …
Details This stripped-down, solo outing features the legendary bluesman on electric guitar, performing a moody selection of songs, including “Goin’ to Louisiana” and “Feel So Bad.” This reissue marks the first domestic availability of this title on vinyl since 1979. Tracklist Side A 1. Teachin’ The Blues 2. Goin’ To Louisiana 3. I Need You 4. My Love Comes Down For …
Details 2017 marked what would have been John Lee Hooker’s 100th birthday. As part of a larger, year-long centennial celebration for the legendary bluesman, this collection features some of Hooker’s most celebrated recordings, from the prime of his career. Spanning his time on Vee-Jay, Stax, Riverside and Specialty Records, the collection includes such favorites as “Boom Boom,” “Boogie Chillun’” and …
Details 2017 marked what would have been John Lee Hooker’s 100th birthday. As part of a larger, year-long centennial celebration for the legendary bluesman, this collection features some of Hooker’s most celebrated recordings, from the prime of his career. Spanning his time on Vee-Jay, Stax, Riverside and Specialty Records, the collection includes such favorites as “Boom Boom,” “Boogie Chillun’” and “Big Legs, Tight Skirt.” New liner notes …
Details John Lee Hooker was already being hailed as a living legend in the ’60s, but by the time of this 1986 release he was a larger-than-life figure, his iconic stature unquestioned. From his earliest collaborations with Canned Heat and on through the ’70s and ’80s, the rock world never got tired of trying to endear Hooker to a crossover …
Details Live at Newport is an addition to the already huge pile of archival John Lee Hooker releases. What differentiates this release from many of the others is that it focuses on a pair of acoustic performances from the bluesman, a rarity in the Hooker catalog. In the early ’60s, at the height of the “folk scare,” Hooker stepped in …
Details John Lee Hooker recorded for many record labels during his long career. But this sampling of some of his Specialty sides finds him at his best, on tracks like his much-recorded “Boogie Chillen No. 2,” the simmering “I’m Mad,” the brooding “Nothin’ But Trouble,” and the risque “Grinder Man.” Featuring many solo cuts (the artist’s idiosyncratic timing defeated most …
Details This 1959 recording is just John Lee Hooker, his acoustic guitar and his voice. What’s deceptively complex in his enormous body of work is the way he conjures dark moods and hypnotic rhythms from the simplest of components–sometimes only one or two chords. Hooker has roots in the Mississippi Delta blues, specifically Charlie Patton, and he’s the only latter …
